Dispels The Idea That Postwar British Comedies Were Apolitical, Arguing Instead That They Presented Subversive, Iconoclastic, Queer Experiments In Living For A Country That Was Rebuilding And Reimagining Itself After Years Of Conflict.eccentric Laughter Explores New Ways To Watch Postwar British Film Comedies, Arguing That Their Representations Of Eccentricity Offered A Set Of Possible Queer Futures For A Britain That Had Been Destabilized By Years Of Conflict And Social Upheaval. Far From Being The Apolitical Cinema Described By Previous Critics, These Comedies-including Both Perennial Favorites From Ealing Studios And Neglected Films Ripe For Rediscovery-make A Joke Of And Suggest Alternatives To The Heterocentric Home And Family. Referencing A Wide Range Of Theories, The Book Gives Details Of How These Films'' Comic Queernesses Are Not Structured On Fixed Identities But On An Open Play Of Possibilities, Depicting Eccentricity, Artifice, Drag, Ruins, And The Wild In Ways That Can Still Offer Inspiration For Experiments In Living Today.